It was painted in my tree-house studio, a studio on the second floor, in stands of pine, she recalled. One is the Emergency and Resilience Funds for Visual Artists at Risk in Ukraine, Belarus, and Russia, which includes grants covering basic needs as well as career support for artists, such as networking opportunities and and practical resources. Here are three versions of Madame Butterfly (2000): a painting, a trial print and the last grand woodcut homage to Puccinis immortal opera. Since the beginning of Russias war on Ukraine in February, more than 5 million people have been displaced within the battered country and at least 3 million people have emigrated to escape the violence, according to the United Nations. Send us a tip using our anonymous form. As the impacts of the coronavirus crisis continues to roil the art world, more and more grant-giving organizations have announced efforts to provide relief to those affected, from small arts organization to artists. Grain spreads out like watered silk. Some $2 million awarded to PEN America will be split between two initiatives over the course of three years. 2023 - Copyright Wisdom Digital Media, all rights reserved. Raised in New York City, she was a trailblazer in Abstract Expressionism, an art movement initiated in the late 1940s that emphasized spontaneous, expressive, large-scale painting. Through her invention of the soak-stain technique, she expanded the possibilities of abstraction, while at times referencing figuration and landscape in highly personal ways. When it does, we cannot turn our backs.. The Restaurants, Hotels, and Stores to Know for Summer 2023, Logan SargeantFormula 1s New American DriverIs Ready for His Miami Grand Prix Homecoming. In 2019, it endowed the Helen Frankenthaler Award for Painting for the Foundation for Contemporary Arts, which comes with $40,000. PleasebeadvisedthatHelenFrankenthalerFoundationdoes not authenticate or attribute works of art. Wyatt Allgeier pays homage to the renowned gallerist and artist Betty Parsons (19001982). 2020 Helen Frankenthaler Foundation/Artists Rights Society (ARS), New York/Photo National Gallery of Art, Washington, D.C./Collection of Helen . I like calm and continuity)and when she painted, she liked to leave gaps of empty canvas; air spaces, she sometimes called them. Photo: Sebastiano Pellion di Persano, December 13, 2022, booth D5Miami Beach Convention Centerartbasel.com. On Wednesday, the New Yorkbased Helen Frankenthaler Foundation said it will distribute $2.5 million in grants to international organizations leading efforts to protect at-risk artists and cultural heritage in Ukraine. Frankenthaler was the recipient of numerous honorary doctorates, honors, and awards. In addition, the foundation will also establish the Frankenthaler Prints Initiative for which it will donate ten prints from its collection of Helen Frankenthaler's works to ten university museums: the Blanton Museum of Art at the University of Texas Austin, the Bowdoin College Museum of Art, the University of South Florida Contemporary Art . ARTnews is a part of Penske Media Corporation. This exhibition, which features more than eighty works by fifty artists, presents visitors with new, unknown worlds floating outside familiar geographies and temporalities. The initiative, one of the most prominent of its kind in the visual art sector, announced its previous round of grant recipients last August, awarding a total of $3m to 49 organisations across the US. She was a woman of steady habits, working from nine to one each day (My life is square and bourgeois, she told the Times in 1989. Frankenthaler was born on December 12, 1928, and raised in New York. The incentives for US art museums to green their operations are expanding, with an announcement today from the Helen Frankenthaler Foundation that it is awarding $5.1m to 79 institutions across the US in its first round of climate grants. The FCI is a partnership between the Frankenthaler Foundation, clean energy systems non-profit RMI and Environment & Culture Partners, which advocates for climate action in the cultural sector. Frankenthaler in her studio, Canal Street, Stamford, Connecticut, 1987. As early as 1959 Frankenthaler began to be a regular presence in major international exhibitions. The Summer 2019 issue of Gagosian Quarterlyis now available, featuring a detail from Afrylic by Ellen Gallagher on its cover. Photograph by Burt Glinn / Magnum Photos Helen Frankenthaler, A Brief Biography Helen Frankenthaler (1928-2011), whose career spanned six decades, has long been recognized as one of the great American artists of the twentieth century. Yet we saw there was and is a massive social and scientific need to do so.. Frankenthalers professional exhibition career began in 1950, when Adolph Gottlieb selected her paintingBeach(1950) for inclusion in the exhibition titledFifteen Unknowns: Selected by Artists of the Kootz Gallery. Fondation Carmignac, Porquerolles, France The studio was flooded with color., Immersed within her own artistic vision, she devised a canvas that was beautiful and strange, fluid and articulated, earthy and divine. Helen Frankenthaler in her East 83rd Street studio, New York, in front of Hybrid Vigor (in progress), 1973. Through her invention of the soak-stain technique, she expanded the possibilities of abstract painting, while at times referencing figuration and landscape in unique ways. She studied under the Mexican painter Rufino Tamayo in high school, at the Dalton . All the essentials: top fashion stories, editors picks, and celebrity style. in her West End Avenue apartment, New York, 1956. Alison McDonald The Helen Frankenthaler Foundation is providing $5 million in grants dedicated to covid -19 relief over the next three years. During this time, he also held positions as Curator at the University of Pennsylvania-affiliated gallery Slought; and Executive Director of Vox Populi, a Philadelphia-based arts nonprofit. The book collects six scholarly essays, six short texts from contemporary artists, and reprints of historical writing. The art world must galvanize to support both its artists and those that work every day at its museums and cultural institutions. Photo: Tim Pyle, Helen Frankenthaler, The Human Edge, 1967, Acrylic on canvas, 124 93 inches (315 236.9 cm), Everson Museum of Art, Syracuse, New York 2018 Helen Frankenthaler Foundation, Inc./Artists Rights Society (ARS), New York. Broadcaster and art historian Katy Hessel; Matthew Holman, associate lecturer in English at University College London; and Eleanor Nairne, curator at the Barbican Art Gallery, London, discuss Helen Frankenthalers early training, the development of her signature soak-stain technique and subsequent shifts in style, and her connections to the London art world. Helen Frankenthaler in her East 83rd Street studio, New York, in front of, A New Exhibition Looks at Our Relationship to Milk and Its Role in Society, Culture, and GlobalPolitics. Helen Frankenthaler (1928-2011), whose career spanned six decades, has long been recognized as one of the great American artists of the twentieth century. 2023 Helen Frankenthaler Foundation, Inc. A line is a line, but [also] is a color. The incentives for US art museums to green their operations are expanding, with an announcement today from the Helen Frankenthaler Foundation that it is awarding $5.1m to 79 institutions across . Helen Frankenthaler, April Mood, 1974 2023 Helen Frankenthaler Foundation, Inc./Artists Rights Society (ARS), New York. Museums of all sizes with a significant visual arts component are encouraged to apply for the next cycle of grant deliberations, which are expected to begin early next year. Check out videos of the casts of Into the Woods; New York, New York; and & Juliet at this week's Ham4Ham! We want to hear from you! Subscribe today and save! Of those sites, 29 were religious in nature, 16 were historic buildings, and 4 were monuments. www.whitechapelgallery.org. Additionally, Thomas will collaborate with Doug Dreishpoon, the Director of the Helen Frankenthaler Catalogue Raisonn, to develop new public programs and initiatives that bolster the reach of the Foundation's exhibitions, publications, and scholarship. The World's Premier Art Magazine since 1913. 1931) matured absorbing the lessons of Abstract Expressionism. Her first solo exhibition was presented in 1951, at New Yorks Tibor de Nagy Gallery, and that year she was also included in the landmark exhibition 9th St. Exhibition of Paintings and Sculpture. Carmean, Jr., Bonnie Clearwater, Ruth Fine, Judith Goldman, Eugene C. Goossen, Pepe Karmel, Frank OHara, Francine Prose, and Karen Wilkin. Helen Frankenthaler and the Messy Art of Life. Once seen, never forgotten. Beginning on 20 February (until 31 March), it will begin accepting proposals for its latest round of funding, with recipients to be announced this summer. Helen Frankenthaler Foundation is a foundation based in New York, New York. Frankenthaler once described Flood (1967), which commands its own gallery wall, with a practical poeticism that suits the picture well. Helen Frankenthaler Foundation announced the selection of five new institutional partners for Frankenthaler Scholarships, a multi-year initiative that has dedicated more than $4 million to art and art history graduate programs around the country. Her earliest inspirations included Jackson Pollock, but she left the grandiloquence of abstract expressionism behind in the late 1950s. Clifford Ross, Frederick J. Iseman, and Dr. Lise Motherwell. So too is the Ivankiv Historical and Local History Museum, which is home to dozens of works by Ukrainian folk artist Maria Prymachenko. Frankenthalers great innovation was the soak-stain technique, which complicated the line between object and ground by letting thinned-out paint seep intoand thereby activatethe raw fabric of a canvas. The Helen Frankenthaler Foundation launched the first cycle of its Prints Initiative in 2018 with the mission to enrich academic institutions' collections and resources and promote scholarly. It is impossible to fulfill this mandate without being responsive to the needs of our times, Lise Motherwell, board chair of the foundation, said in a statement. Thomas received a Ph.D. from Stanford University's Department of Art History, a Master of Arts in German Literature from the University of Pittsburgh, and a Bachelor of Arts from Juniata College. In 2015 Gagosian publishedThe heroine Paint: After Frankenthaler, a book of essays edited by art historian and curator Katy Siegel that explores Frankenthalers painting and expands its focus to include the immediate social and artistic context of her work, then traces artistic currents as they move outward in different directions in the ensuing decades. Thomas previously served as Assistant Professor of Art History at the Tyler School of Art and Architecture at Temple University. She poured thinned paint directly onto raw, unprimed canvas laid on the studio floor, working from all sides to create floating fields of translucent color. Acrylic on canvas, 93 x 93 5 / 8 inches. Global art organizations have stepped up with initiatives to support cultural workers and students affected by the war, from residences to job placements and direct financial aid. Send us a tip using our anonymous form. The final print has both the hues of mulberry juice and the smoky reds of the tree itself. She had her first museum retrospective in 1960, at New Yorks Jewish Museum, and her second in 1969, at the Whitney Museum of American Art, New York, followed by an international tour. These incidents emerge within the making ghosts inherent in the process rather than as incised, linear elements. Their soaring radiance is an abiding characteristic of the paintings of Helen Frankenthaler (1928-2011), one of the great pioneers of American postwar abstraction. A New Exhibition Looks at Our Relationship to Milk and Its Role in Society, Culture, and GlobalPolitics, UNESCODirector Pledges $10 M. Toward Rebuilding Ukraine's Devastated Culture Sector, Steve McQueen's Latest Gets Raves in London, UNESCO Pledges Support for Ukraine, and More: Morning Links for April 6, 2023. Helen Frankenthaler (December 12, 1928 - December 27, 2011) was an American abstract expressionist painter. Particularly in the 1950s and 1960s, critics . 10,853 followers. Dulwich Picture Gallery, LondonSlow, determined and infinitely hard-won, the woodcut prints of the late American artist transcend their rigid medium with visions of radiant liberation. Grove (1991), which is unusually graphic with its incised black lines, evokes planetary forms hanging above deep darkness, irresistibly recalling (for me, at any rate) Ansel Adamss great black and white photograph Moonrise, Hernandez, New Mexico. 2023 Art Media, LLC. As early as 1959, Frankenthaler began to be a regular presence in major international exhibitions. Her compositions were open, partly improvised, and of such lyrical grace that they were all too frequently pegged as feminine by male critics. In 2015 Gagosian published "The heroine Paint": After Frankenthaler, edited by art historian and curator Katy Siegel, which explores Frankenthalers painting and expands its focus to include the immediate social and artistic context of her work, then traces artistic currents as they move outward in different directions in the ensuing decades. In addition to numerous scholarly articles on her work by renowned art historians, curators, and critics, Frankenthaler has been the subject of three major monographs:Frankenthaler, by Barbara Rose (1972);Frankenthaler, by John Elderfield (1989); andFrankenthaler: A Catalogue Raisonn, Prints 19611994, by Suzanne Boorsch and Pegram Harrison (1996). The consortium of 15 organizations includes Artists Space, Creative Time, the Drawing Center, Eyebeam, the Kitchen, the Laundromat Project, the Museum of Contemporary African Diasporan Arts, Performance Space New York, Printed Matter, Recess, Socrates Sculpture Park, Sculpture Center, the Storefront for Art & Architecture, the Swiss Institute, and White Columns. This is a profile preview from the PitchBook Platform. Helen would have given full-throated support to the board of her foundation making a major effort to aid the creative community. . And yet there is something quintessentially American about this show. Frankenthaler in her East 83rd Street studio, New York, 1969. Gagosians booth at Art Basel Miami Beach 2022. The organisation hopes that the grants will prove inspirational: The Helen Frankenthaler Foundation wants to help galvanise the arts community to reach for a net-zero carbon footprint, starting right now, says the foundations chairman, Clifford Ross. About. She had her first major museum exhibition in 1960, at New Yorks Jewish Museum, and her second, in 1969, at the Whitney Museum of American Art, followed by an international tour. It was not painted by the Bay. All Rights Reserved. 2023 Cond Nast. Photo: courtesy ASOM Collection, September 15, 2022March 12, 2023 28 languages Tools For the German/Italian wine grape that is also known as Frankenthaler, see Trollinger. The only rule is no rule: that was her catchphrase. 2019 Helen Frankenthaler Foundation, Inc. / Artists Rights Society (ARS), New York. Throughout her long career, Frankenthaler experimented continuously. Gagosian is pleased to announce the gallerys participation in the inaugural edition of ART SG, with a selection of works by international contemporary artists including Banksy, Georg Baselitz, Ashley Bickerton, Edmund de Waal, Helen Frankenthaler, Katharina Grosse, Mark Grotjahn, Damien Hirst, Howard Hodgkin, Thomas Houseago, Tetsuya Ishida, Alex Israel, Jia Aili, Harmony Korine, Takashi Murakami, Nam June Paik, Giuseppe Penone, Ed Ruscha, Spencer Sweeney, Sarah Sze, Tatiana Trouv, Anna Weyant, Jonas Wood, and Zeng Fanzhi. Frankenthaler exhibited her work professionally for the first time in 1950, at the Kootz Gallery in New York, when Adolph Gottlieb selected her painting Beach (1950) for inclusion in Fifteen Unknowns: Selected by Artists of the Kootz Gallery. Eleri Ward Acoustic Sondheim: Live from Brooklyn has been released in digital and streaming formats. She continued working productively through the opening years of this century. She was a major contributor to the history of postwar American painting. At its best, even 50 years later, Frankenthalers balancing act defies description as well it should. Important works by Frankenthaler may be found in major museums worldwide. Work by Harold Ancart, Jean-Michel Basquiat, Alexander Calder, Helen Frankenthaler, Simon Hanta, Roy Lichtenstein, Albert Oehlen, and Christopher Wool is included. The Jewish Museum and Whitney Museum shows were succeeded by a major retrospective initiated by the Modern Art Museum of Fort Worth that traveled to The Museum of Modern Art, New York, the Los Angeles County Museum of Art, and the Detroit Institute of Arts, MI (1989); and those devoted to works on paper and prints organized by the National Gallery of Art, Washington, D.C. (1993), among others. On March 26, the Drobitsky Yar Holocaust in Kharkiv, where at least 16,000 Jews memorial were murdered, was reportedly shelled by Russian forces. Since 2021, the Helen Frankenthaler Foundation has awarded $8.1m to 128 art organisations under the auspices of its Frankenthaler Climate Initiative (FCI), which seeks to support art schools and museums efforts to transition to clean energy and operate more ecologically. And though the Dulwich Picture Gallery gives exactly the right amount of technical data in this beautifully designed show, arranged around a short but piercing archive film in the rotunda of Frankenthaler talking about her work, it is almost impossible to grasp the complexities of the process. While we are keenly focused on the creation and dissemination of art, we know that art has always been a palimpsest on which the world writes its pains and dreams, Fred Iseman, president of the Helen Frankenthaler Foundations board of directors, said in a statement. So brutality intrudes into museums, artists, and arts. Purchase with funds from the Friends of the Whitney Museum of American Art 68.1 2. The Frankenthaler Climate Initiative was conceived to move art museums toward net zero, and to set an example for all institutions and citizens to follow suit, says Fred Iseman, the foundations president, in a statement. Frankenthaler was the recipient of numerous honorary doctorates, honors, and awards. Helen Frankenthaler (American, 1928 2011), Flood, 1967. Subscribe today and save! Meanwhile, $500,000 will go to the World Monuments Fund, which launch an initiative known as the Ukraine Heritage Response Fund that will be dedicated to the documentation and preservation of heritage sites. HELEN FRANKENTHALER FOUNDATION INC NEW YORK, NY 10001-6803 | Tax-exempt since March 1985 EIN: 13-3244308 Nonprofit Tax Code Designation: 501 (c) (3) Acrylic on canvas, 124 x 140 inches. embers of the board of directors of the Helen Frankenthaler Foundation, about the foundations decision to establish a multiyear initiative dedicated to providing $5 million in. But 'lyrical' became a loaded word for the artist, especially as critics continued to ascribe her softer style to her femininity, which she felt belittled her work. Frankenthaler seaside, Shippan Point, Stamford, Connecticut, 1982, Photograph by Inge Morath The Inge Morath Foundation / Magnum Photos, For reproduction of works by Helen Frankenthaler, contact Artists Rights Society (ARS, NY). Freefall (1993) envelops you on entry: a glowing blue light, stratospheric, bowing slightly at the sides as if to imitate the way the eye sees the world. . Pittura/Panorama: Paintings by Helen Frankenthaler, 19521992 marks the first time that Frankenthalers paintings have been exhibited in Venice since her inclusion in the 1966 Biennale as part of the US Pavilion. In the catalogue for "Abstract Climates"co-curated by Elizabeth A.T. Smith, executive director of the Helen Frankenthaler Foundation, and Lise Motherwell, board president of the . An afterlife beyond the passions of this one: Madame Butterfly, 2000 by Helen Frankenthaler. We want to hear from you! The diagrammatic vernacular of Provincetown I (1961) and Orange Breaking Through (1961) gives way to the lush, watery layers of Blue Atmosphere II (1963) and Low Tide (1963), and the discrete blocks of tone in Indian Summer (1967) and Blessing of the Fleet (1969). He added that the real world brutally intrudes onto the canvas. "Unbreakable", photo by Yuliana, a Ukrainian photographer and artist. The destruction of Holocaust memorials across Ukraine has become an international flashpoint. Born three years apart, Helen Frankenthaler (1928-2011) and Jo Sandman (b. On the occasion of the exhibition Pittura/Panorama: Paintings by Helen Frankenthaler, 19521992, at the Museo di Palazzo Grimani in Venice, Italy, art historians John Elderfield and Pepe Karmel discuss the concept of the panorama in relation to the artists work. From November 2019 November 2021, Tate Modern, London, presented a display of five works from the first three decades of Frankenthalers career, featuring four loans and one recently gifted work from the Helen Frankenthaler Foundation. In abandoning the easel, she explained in 1993, instead of dealing head-on with four sides and four corners, you felt the boundaries of the canvasthe scale of itwere endless; that thrust of shoulder as compared to wrist alone. (Wrote Gene Baro in 1971, A Frankenthaler painting is nothing more nor less than a record of the artists involvement Her gestures are like a dances gestures, for in the end they define all.) Yet, in life as in work, Frankenthaler also knew the value of limits. The California Indian Museum and Cultural Center in Santa Rosa, California, which will harness a $100,000 grant from the Helen Frankenthaler Foundation to create a resilient power system and cleaner air system California Indian Museum and Cultural Center. As art and artists are caught in the crosshairs of conflict and crisis, it is imperative to preserve both the artistic freedom and cultural heritage that is being threatened around the world.. Used in Mountains and Sea (1952), the work that launched Frankenthalers career, the method was dutifully adapted by Morris Louis, Kenneth Noland, and other contemporariesjust as her friend Jackson Pollocks quirk of laying his canvas on the floor had been dutifully adapted by Frankenthaler. Once the canvas was laid down I had only about a foot of margin to stand on between the canvas edges and the wall. Thomas comes to the Foundation from the Aspen Institute, where he served as the inaugural Executive Director of the Resnick Center for Herbert Bayer Studies. The same diametric forces at play in her paintings are right there in the picture; the consideration and control (see: the neat hair; the immaculate chinos; the button-down shirt rolled tightly at the elbows), as well as the willful embrace of chaos (note Frankenthalers slender, white knee pressed into that unholy mess of a paint-splattered floor). Yet a further astonishment, at Dulwich, is that these are not paintings at all; not canvases stain-soaked with her trademark colour washes, but something else entirely formidably large woodcuts. Through the fund, cultural professionals working on conservation and restoration projects will receive direct financial aid. Reviews: A TRANSPARENT MUSICAL at Center Theater Group, Kara Lindsay Will Lead MARY POPPINS at North Carolina Theatre, VIDEO: Peppermint & Daya Curley Sing 'Chosen Family' from A TRANSPARENT MUSICAL, Cast & Creatives Revealed For the World Premiere of Throughout his tenure, Thomas also served as a senior artistic advisor on the Institute's various cultural programs, and produced projects with, among others, the arts organization Monument Lab and author Clint Smith. The Foundation for Contemporary Arts will get $500,000 for its FCA COVID-19 Relief Fund aimed at supporting artists who have lost income over canceled exhibitions and programs. Artwork, left to right: Gerhard Richter; Amoako Boafo; Richard Prince; 2022 Judd Foundation/Artists Rights Society (ARS), New York; Richard Diebenkorn Foundation; The Andy Warhol Foundation for the Visual Arts, Inc./Artists Rights Society (ARS), New York; Stanley Whitney. Frankenthaler worked the surface with wet pulp. Established in 1985, the foundation supports the artist's legacy through a variety of initiatives, including exhibitions, loans of artworks, research and publications, conservation, grants, educational programs for the public and the scholarly community, and the . Born three years apart, Helen Frankenthaler (19282011) and Jo Sandman (b. Helen Frankenthaler, Painted on 21st Street, 1950, Oil, sand, plaster of Paris, and coffee grounds on sized, primed canvas, 69 97 inches (175.6 246.4 cm), Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC 2018 Helen Frankenthaler Foundation, Inc./Artists Rights Society (ARS), New York, Oil and enamel on sized, primed canvas, 56 84 inches (143.2 214.6 cm), Crystal Bridges Museum of American Art, Bentonville, Arkansas 2018 Helen Frankenthaler Foundation, Inc./Artists Rights Society (ARS), New York, Helen Frankenthaler, Mountains and Sea, 1952, Oil and charcoal on unsized, unprimed canvas, 86 117 inches (219.4 297.8 cm), Helen Frankenthaler Foundation, New York, on extended loan to the National Gallery of Art, Washington, DC 2018 Helen Frankenthaler Foundation, Inc./Artists Rights Society (ARS), New York, Oil on unsized, unprimed canvas, 53 131 inches (136.5 332.7 cm) 2018 Helen Frankenthaler Foundation, Inc./Artists Rights Society (ARS), New York, Oil and enamel on sized, primed canvas, 72 48 inches (182.9 124.1 cm), Museum of Modern Art, New York 2018 Helen Frankenthaler Foundation, Inc./Artists Rights Society (ARS), New York, Oil on unsized, unprimed canvas, 70 54 inches (177.8 138.4 cm) 2018 Helen Frankenthaler Foundation, Inc./Artists Rights Society (ARS), New York, Charcoal, crayon, watercolor, and ink on paper, 25 34 inches (64.1 87.6 cm) 2018 Helen Frankenthaler Foundation, Inc./Artists Rights Society (ARS), New York, Helen Frankenthaler, First Creatures, 1959, Oil, enamel, charcoal, and pencil on sized, primed canvas, 64 111 inches (164.5 281.9 cm) 2018 Helen Frankenthaler Foundation, Inc./Artists Rights Society (ARS), New York, Oil and charcoal on sized, primed linen, 89 69 inches (228 177.2 cm) 2018 Helen Frankenthaler Foundation, Inc./Artists Rights Society (ARS), New York, Oil on sized, primed linen, 35 59 inches (91.1 152.1 cm) 2018 Helen Frankenthaler Foundation, Inc./Artists Rights Society (ARS), New York, Helen Frankenthaler, Celebration Bouquet, 1962, Oil on sized, primed linen, 13 29 inches (34 74.6 cm) 2018 Helen Frankenthaler Foundation, Inc./Artists Rights Society (ARS), New York, Oil on canvas, 69 120 inches (177.2 304.8 cm) 2018 Helen Frankenthaler Foundation, Inc./Artists Rights Society (ARS), New York, Helen Frankenthaler, Milkwood Arcade, 1963, Acrylic on canvas, 86 80 inches (219.7 205.1 cm) 2018 Helen Frankenthaler Foundation, Inc./Artists Rights Society (ARS), New York, Helen Frankenthaler, Provincetown Window, 196364, Acrylic on canvas, 82 81 inches (209.2 208 cm) 2018 Helen Frankenthaler Foundation, Inc./Artists Rights Society (ARS), New York, Acrylic on canvas, 22 28 inches (55.9 71.1 cm) 2018 Helen Frankenthaler Foundation, Inc./Artists Rights Society (ARS), New York. 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